Bach Bibliography Search Result

Series : ^DeClavicordio$
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Type	List	Title [further info]	Series	Vol	No	Year	Pages	Status
		[]
	1.	De Clavicordio [I]: Proceedings of the International Clavichord Symposium, Magnano 1993.	DeClavicordio	1		1994	287, 24p
	2.	Towards an identification of the clavichord repertoire among C.P.E. Bach's solo keyboard music: Some preliminary conclusions.	DeClavicordio	2		1995	43-81
	3.	The Probestücke and C.P.E. Bach's Versuch über die wahre Art das Clavier zu Spielen.	DeClavicordio	2		1995	84-93
	4.	The 'still, small voice' and the exploration of inner musical space	DeClavicordio	2		1995	155-165
	5.	A repertoire for the clavichord (including a brief history of Bebung).	DeClavicordio	2		1995	167-180
	6.	De clavicordio II: Proceedings of the International Clavichord Symposium/Atti del Congresso Internazionale sul Clavicordo.	DeClavicordio	2		1995	274p
	7.	Abstossen, schleifen and das algemeine Fortgehen: Thoughts on clavichord touch.	DeClavicordio	3		1997	53-60
	8.	The pedal clavichord as a pedagogical tool for organists.	DeClavicordio	3		1997	109-118
	9.	Affekt and Rhetorik in the clavier music of C.P.E. Bach and suggested applications in the music of Joseph Haydn.	DeClavicordio	3		1997	255-275
	10.	De clavicordio. III: Proceedings of the III International Clavichord Symposium/Atti del III Congresso Internazionale sul Clavicordo.	DeClavicordio	3		1997	296p
	11.	C.P.E. Bach's 'Farewell' and the speaking clavichord.	DeClavicordio	4		2000	15-35
	12.	When did the clavichord become C.P.E. Bach's favourite instrument? An inquiry into expression, style and medium in eighteenth-century keyboard music.	DeClavicordio	4		2000	37-53
	13.	'Our old great favourite'--Burney, Bach and the Bachists.	DeClavicordio	4		2000	55-85
	14.	The clavichord resounds, or the wider influence of C. P. E. Bach's 'empfindsamer' keyboard style.	DeClavicordio	4		2000	87-94
	15.	C. P. E. Bach's songs for clavichord.	DeClavicordio	4		2000	95-104
	16.	A clavichord from Peru in the period of the imperial vice-royalty.	DeClavicordio	4		2000	105-117
	17.	Tangent layout and triple-fretted clavichord tuning.	DeClavicordio	4		2000	119-126
	18.	Two Spanish clavichords in private U. S. collections.	DeClavicordio	4		2000	127-138
	19.	The Swedish clavichord around 1800.	DeClavicordio	4		2000	139-146
	20.	A preliminary investigation into the stringing of Swedish clavichords.	DeClavicordio	4		2000	147-160
	21.	Documenting a clavichord by Lindholm and Söderström and a brief history of Swedish measurements.	DeClavicordio	4		2000	161-176
	22.	Conservation ethics.	DeClavicordio	4		2000	177-186
	23.	A maker's secrets revealed: restoration of a 1784 clavichord by C. G. Hoffmann.	DeClavicordio	4		2000	187-201
	24.	A Pantalonclavichord by C. Kintzing of Neuwied, 1763.	DeClavicordio	4		2000	203-213
	25.	De Clavicordio IV: Proceedings of the IV International Clavichord Symposium, Magnano, 8-11 September 1999.	DeClavicordio	4		2000	225p
	26.	Handing down the Tradition: The Survival of Bach's Finger Technique in an Obscure Nineteenth-Century Clavier Tutor.	DeClavicordio	5		2002	39-43
	27.	Missing instruments.	DeClavicordio	5		2002	83-89
	28.	Embellished repeats in late eighteenth-century clavichord repertoire.	DeClavicordio	5		2002	109-124
	29.	The Copenhagen connection: Resources for clavichord players in eighteenth-century Denmark.	DeClavicordio	5		2002	249-272
	30.	De Clavicordio V: Proceedings of the V International Clavichord Symposium, Magnano, 5-8 September 2001.	DeClavicordio	5		2002	328p
	31.	Clavichord reception in Russia: with special reference to the Bach family.	DeClavicordio	7		2006	11-16
	32.	The clavichord as a plucked string instrument.	DeClavicordio	7		2006	183-194
	33.	De Clavicordio VII: Proceedings of the International Clavichord Symposium, Magnano, 7-10 September 2005.	DeClavicordio	7		2006	277p
	34.	Arnold Dolmetsch and his Bach clavichord: an iconographical and literary approach.	DeClavicordio	8		2008	17-25
	35.	De Clavicordio VIII: Proceedings of the International Clavichord Symposium, Magnano, 5-8 September 2007.	DeClavicordio	8		2008	256p
	36.	Carl Philipp Emanuel Bach's 'Damen-Sonaten'.	DeClavicordio	11		2014	61-74
	37.	Virtual Teaching: C. P. E. Bach's Versuch as a pedagogical medium.	DeClavicordio	11		2014	87-98